review by Nick Ostrum, The Squid's Ear
When I listen to an Eddie Prévost release, I often think about just how shocking this type of quiet non-jazz improvisation must have been in the late 1960s when so many of the early AMM's contemporaries were leaning into Ornette, Ayler, and their heavier followers on the continent. Certainly, the AMM has lost much of that shock value over their 57-year run. However, they have lost none of their creativity and, instead, refined their approach and vision over those decades.
